12 Years A Slave: Of Human Bondage

by Ethan Alter October 18, 2013 12:41 pm
<i>12 Years A Slave</i>: Of Human Bondage

12 Years a Slave may be the first time that writer/director Steve McQueen has dramatized the slave trade as it was practiced in pre-Civil War America, but it's far from his first movie about the concept of slavery. Both of his previous films revolve around characters that are bound to metaphorical -- if not necessarily literal -- masters and suffered pain and torment in the course of their enslavement. McQueen's debut feature, Hunger, is a portrait of imprisoned Irish Republican Army volunteer Bobby Sands (played by the filmmaker's regular muse, Michael Fassbender) who starves his body in service of the higher ideals preached by his cause. The director followed that up with Shame, in which Fassbender plays a well-heeled New York businessman whose daily routine is dictated by his various addictions. Both films also depict their characters' predicaments with a bracing lack of sentimentality and overt moralizing, qualities that are similarly instrumental to the success of 12 Years, which may not be McQueen's best movie overall (I'm still a big booster of the undervalued Shame), but nevertheless remains an exceptional piece of art that brings this period in American history to life in a horrifyingly -- but necessarily so -- vivid way.

Red Tails: Up, Up and Away

by Ethan Alter January 20, 2012 5:58 am
<i>Red Tails</i>: Up, Up and Away

Legend has it that for early test screenings of the first Star Wars movie, George Lucas substituted footage of World War II aerial dogfights in place of the not-yet-completed sequences pitting the Rebel Alliance's X-Wings against the Empire's fleet of TIE fighters. Now, three decades later, Lucas has made a full-fledged World War II movie about the Tuskegee Airmen, the celebrated squadron of African-American fighter pilots who defied the prejudice of the times and flew a number of crucial missions in the European theater of the war.

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