
McG is certainly an unusual person. I wrote "insane" in big letters in my notebook, and underlined it, but I think it is actually enthusiasm. Anyway, he helmed the most rip-roaring panel that I attended this weekend at Comic-Con. He was in the biggest room, with a hugely critical crowd presenting eight minutes of his take on the Terminator franchise just days after the Christian Bale rant leaked out all over the internet and basically made it look like an out of control set. But McG strutted out in front of the masses who had waited hours on line to see this panel (OK, and Watchmen too) and right out of the gate started talking about why he wanted to make this movie, and when a bit of feedback interrupted his tale and an audience member shouted, "that's fucking unprofessional," he laughed it off, and said simply, "I'm good." At least this wild and unpredictable director who riled the crowd by calling Christian Bale at home via cell phone (Bale's wife answered and told McG he was crazy... he readily agreed), plucked a member of the audience out to ask his question on stage simply because he was wearing a Cyberdyne T-shirt and him screaming to the projectionist that the trailer had "better be loud" got this girl in the mood to see how Skynet takes over the world.


If you're a fan of Conan the Barbarian, you're likely a fan of Red Sonja, his female counterpart, also created by Robert E. Howard. However, you're likely not a fan of her 1985 movie starring Brigitte Nielsen. Despite featuring Ah-nuld as a less-exciting warrior named Kalidor, it was campy as hell, with a kid sidekick and some fat comic relief, and the final nail in the coffin was that it deprived Sonja of her trademark steel bikini and gave her a ridiculously bad hairdo. Well, Rose McGowan has apparently been cast as the new Sonja, and if anyone was ever born to wear a steel bikini, it was her. (Sorry, Jennifer Lopez.)


Towering beanstalks? Rampaging giants? Nicholas Hoult staring slack-jawed at the sky? We know you've probably got a ton of burning questions about Bryan Singer's fairy-tale inspired blockbuster, Jack the Giant Slayer and we're here with the answers.

Viewed purely as a ripped-from-the-headlines survival story, Spanish director J.A. Bayona's new film The Impossible is an often harrowing experience, depicting the devastation caused by the Indian Ocean tsunami that engulfed South Asia in December 2004 through the eyes of one family, who are left separated in its wake. On holiday in Thailand when the tidal wave sweeps through, British couple Maria (Naomi Watts) and Henry (Ewan McGregor) and their three adorable boys -- who are, in order of age, Lucas (Tom Holland), Simon (Oaklee Pendergast) and Thomas (Samuel Joslin) -- abruptly go from lounging about the pool at their high-end resort to fighting for their lives as the current rockets them along. When they're finally becalmed, Maria and Lucas are miles from the hotel, while Henry, Simon and Thomas manage to find safe harbor closer by, and each group believes that the other is likely dead. Henry refuses to abandon all hope, however, and goes hunting for his wife and eldest son at the same time that Lucas is bringing his severely wounded mom to an overcrowded hospital where she joins the ranks of the hundreds and hundreds of people in immediate need of medical attention. Will her husband find her? And, if he does, will she still be alive?

Not interested in fighting aliens alongside John Carter or freaking out at Silent House? We've got an indie movie to fit your particular state of mind.

If you're like us, the trailer for the new action-laced romantic comedy This Means War left you with a ton of questions. Sure, "Why was this movie made?" is the most obvious one, but the premise -- two CIA agents (Tom Hardy and Chris Pine) fall in love with the same woman (Reese Witherspoon) -- confused us for other reasons as well. Now that we've seen the McG-directed film -- which will have Valentine's Day showings tonight before opening in general release on Friday -- we can address some of the burning questions it raises. Questions like...

When you're dealing with a filmmaker who has had as lengthy and deliberately varied a career as Steven Soderbergh, singling out one movie to label his absolute best can be a tricky proposition. But a strong case could be made for The Limey, the 1999 thriller he made with screenwriter Lem Dobbs and star Terrence Stamp. Aside from being a terrific film, The Limey is perhaps -- out of all the entries in his filmography -- the most representative of Soderbergh's formal and narrative interests, from the way it fractures its narrative to its dry sense of humor to the morally compromised anti-hero at its center. Made right after the director's big studio breakthrough, Out of Sight, The Limey may be a less jazzy film, but it's far richer in terms of its story. One gives you a great ride, the other lingers in your memory.