New York Film Critics Online 2011 Awards Results

by Ethan Alter December 12, 2011 12:27 pm
New York Film Critics Online 2011 Awards Results

Television Without Pity is a voting member of the New York Film Critics Online, an organization of New York-based online critics, which convened yesterday to hand out their annual awards honoring the best in film for 2011. The silent-film homage The Artist proved to be the big winner, going home with three awards, including Best Picture and Best Director. (We weren't alone in giving that film top honors -- The Artist has also been named Best Picture by the New York Film Critics Circle, Boston Society of Film Critics and the Washington D.C. Area Film Critics. It's also currently the closest to what resembles a frontrunner for the Best Picture Oscar.) NYFCO departed from the mainstream consensus with two less expected picks -- Michael Shannon was named Best Actor for his searing work in Take Shelter, while Joe Cornish picked up Debut Director honors for his terrific alien invasion movie, Attack the Block. For a full list of winners, along with links to our original coverage of those films, click below.

Premium Rush: The Need for Speed

by Ethan Alter August 24, 2012 6:00 am
<i>Premium Rush</i>: The Need for Speed

Shot almost two years ago, bumped from various release dates and tucked away at the end of this summer like a neglected stepchild, the new bike messenger thriller Premium Rush (yes, you read that right -- a bike messenger thriller) turns out to be the season's most nimble and purely enjoyable popcorn flick. The Avengers might have a gazillion superheroes kicking ass, Prometheus might have dazzling sci-fi spectacle and The Dark Knight Rises might have Anne Hathway in a form-fitting catsuit, but Premium Rush possesses something all those movies lack: sheer, exhilarating speed.

Take Shelter: The Storm is Threatening

by Ethan Alter September 30, 2011 4:23 pm
<i>Take Shelter</i>: The Storm is Threatening

Writer/director Jeff Nichols' first feature, Shotgun Stories, ranks as one of the finest filmmaking debuts of the past decade. Now, following an acclaimed run on the festival circuit, his second effort Take Shelter blows into theaters and instantly jumps to the top of the list of 2011's very best films. A family drama, a psychological horror story and a rich character study all rolled into one, Take Shelter is a beautifully assured work of art that doubles as an up-to-the-minute portrait of the country's mood. When future generations study this specific period in American history, this film will function as an evocative look at the Way We Lived Then.



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